What we can learn from Audra Winter

A cautionary tale to writers about getting lost in the sauce, girlbossing too close to the sun, and what really matters to your readers.

TLDR: it’s the writing.

Earlier this year, new author Audra Winter made waves in the Booktok community with the release of her much anticipated debut YA novel, Age of Scorpius. But all that glitters is not gold, and the 22 year old author found herself facing backlash after the book reached readers’ hands, and reviews started coming in.

This is all everyone seems to be talking about right now – or maybe I just need to hard refresh my Tiktok and YouTube for you pages. Anyway. It’s all I’ve been seeing for the past month or so, and everyone seems to have thoughts about it. So I decided to add absolutely nothing of value to it by throwing my opinion in as well.

Let me be clear: I am not here to rag on this woman, nor accuse her of scamming, or call into question her past behaviours, or her neurodiversity. I am going to talk simply about the situation at hand, the cost of girlbossing too close to the sun, and why all the art in the world won’t compensate for poor writing. Also, this is all my opinion, this is all allegedly, please don’t sue me. Thank you.

Let’s dip our toes in then, shall we?

At first glance this idea looks pretty freaking amazing. Zodiac magic, a fantasy dystopian post-apocalyptic world? Beautiful artwork with a strong anti Ai stance? Lesbians???

Why, an idea this good could never fail!

Aw, fudge.

So, what happened?

So how does an idea this incredible, at a time when the market is primed and ready for it, miss the mark? (let me tell you: it’s the writing – there, now you don’t have to read the part where I ramble, unless you want to of course).

A very, very brief timeline from what I can piece together: In 2021, Audra was posting to Tiktok and introducing the world of Gardian (yes it’s spelled Gardian in the book, not guardian). This continued until around 2022, where things went quiet for a while after she signed with a literary agent and was preparing the book for sale to potential publishers. Audra re-emerged on Tiktok around 2024, re-introducing her book with a Kickstarter campaign.

Some time later Audra abandons the Kickstarter to focus on presales of the book via Tiktok shop, and it all takes off from there. Pre-orders flood in, and suddenly she’s sold around 6000 copies – unprecedented for an indie author. Audra flips the script here, pivoting from her previous pity marketing tactics to “I’m Audra Winter and overnight I became the owner of a 6 figure multimedia business”, with claims she has hired a team of 15 artists to further develop the world of Gardian, and that she had hired the editor of the Hunger Games to work on her book (allegedly, please don’t sue me).

People were very excited for this.

The problem

The book was not well received.

Reviews and reactions came flooding in, and soon the Goodreads page for The Age of Scorpius was swept up in a tide of 1 stars (as of checking yesterday, the rating is currently at 1.51). Readers began demanding refunds. Nightmare fuel for every author. I wouldn’t wish it on my worst enemy… Actually, I might. I’m a little petty. Is it petty to have a collage of 1 star reviews of your enemies books as your desktop wallpaper? You decide!

I had a look at the writing myself, and (in my opinion, don’t sue me), it does very much feel like it was written by a 12 year old (her age when she claims she started this world), and I can confirm that when I was 12 years old, I was writing fanfiction at a similar level to this. If you want to see it for yourself (the book, not my fanfiction), a sample can be found here.

Audra responds (with what I can only imagine is the royal ‘we’, because as the author, surely it’s only her that is responsible for the book, and not the artists or editors she hired), saying that the e-book version had missed a proofread and would be fixed. Fair enough.

But, it doesn’t end there. There’s issues with the paperback too – grammatical flaws, confusing descriptions and a fair few plot holes. Audra steers the conversation away from quality issues to the impact on her mental health, and says she will be taking a break from social media. I’m not here to comment on this side of things, I want to stay with the writing – I’m adding this for context as to why people became so frustrated.

Now, forgive me here because the timeline gets a little skewed as I try to get my head around it all.

After all the feedback, critiques, and varying levels of criticism, Audra released videos saying that the book will be re-released with a new editor and new artwork from her team of 15+ artists. This has not been well received, with many stating that the artwork isn’t the problem, that it was never the artwork, and the writing needs to be significantly improved before anything else is even considered.

Throughout this, Audra does not seem to apologise or take criticism well, at times claiming that her main character is neurodivergent, therefore the prose and dialogue would be different to regular writing, or blaming the poor prose on previous editors (allegedly, don’t sue me). Many, including other neurodivergent writers, took this as a poor excuse for the subpar writing. People became increasingly frustrated with Audra’s responses, and criticisms quickly steered from the writing quality towards Audra’s character (which I am not here to dunk on. I don’t think anyone should be doing any dunking unless it’s biscuits in tea), and accused Audra of weaponizing her neurodiversity in the face of genuine critique.

Side note: I’m going on a slight tangent here, as a fellow autistic individual: It irks me whenever people accuse an autistic person of weaponizing their disability. It is a disability. Joely Black does a great job of breaking this aspect of the situation down, so here’s the link to her video.

Still, Audra does not help herself (in my opinion, please don’t sue), often appearing arrogant and self-assured. She’s made claims of having 10 years of experience in the publishing industry , writing 10 books (despite Age of Scorpius being her self-proclaimed debut novel), and of having her 10,000 hours of practice in the bag, making her a master in writing. By that logic, I should be the next Shakespeare. Trust, I’m not.

Unfortunately, just because you’ve been working on your world for 10 years, doesn’t mean you’ve been working in the publishing industry for 10 years (in my opinion, don’t sue me). The self published novel you put out at 14 doesn’t really count either (in my opinion, don’t sue me). I put out a comic series at age 14, and it was not good. No, I’m not going to be sharing it.

Audra also seems to struggle a little bit with truth telling (allegedly, don’t sue me). A bunch of people who are much better at researching than I, have found several inconsistencies with her story. One of these being why things ended with her agent. In one video, she tearfully claims to have been let go by the agent, in another she says she actually left them and decided to self publish (I’m not putting allegedly here, it’s in her own videos). And it doesn’t end there. This has caused people to question many things Audra has said, leading to accusations of her being a scammer (I personally don’t think she is, but who’s to say).

Get to the point!

Pride cometh before the fall.

Unfortunately for Audra, this is the internet. Much like elephants, the internet never forgets. And it never forgives. Jk, people do worse shit than this all the time and their careers remain completely unaffected. In two years, there’ll be another drama worse than this one, and Audra will be free.

What can we learn from this?

It’s all about the craft, maaan.

If Audra had been going to writing classes, seeking out workshops, practicing prose and fine-tuning her craft, then yes, the 10,000 hours in question would certainly help her on the way to becoming a master. BUT – with any craft, you never stop learning, and the second you declare yourself a master of something, someone is going to come along and humble you. A 12 year old is certainly not the master of much (not including Shaolin monk kids in this statement, because damn), and it doesn’t matter that she worked on her world for a decade if the world still doesn’t come across as well developed and well written.

Here’s what I, in my ‘unc’ status, advise to writers and soon-to-be authors who are worried about being in this situation: before you publish, git gud, scrub. It all comes back to: just write.

I mean it. Work on your craft. It’s not super fun or sexy, or gets you going viral on social media, it’s just good ol’ fashioned grinding (which actually can be quite fun if you’re into that sort of thing).

Anyone who’s played Hollow knight will know how important it is to git gud.

Screaming, crying, throwing up

If you truly want to be a writer, don’t get distracted by the shininess of being tiktok famous or being the next whatever – just write. Work on your craft. If you want to be tiktok famous, then by all means study the methods of Audra for self promotion. Go off, majesties.

All the other stuff aside, I do feel for Audra. She is obviously passionate about the world she’s created, and I think with some work and time, it could be something really cool. I can see why she had so many pre-orders. In a sense, she did everything right to promote Age of Scorpius. BUT – it just wasn’t ready, and the pride that inspired people to pre-order was the same pride that sent her flying too close to the sun. You can polish a turd all you want; no amount of pretty artwork, gilded pages, or girlbossing can compensate for immature writing. If anything, all the glamour set people’s expectations higher, which worsened everyone’s collective disappointment when reality hit.

I can’t even say this as a master, btw, because I am not a master at anything yet (unless its procrastination). I just have eyes and more than 1 functioning braincell.

Audra is living every one of our worst indie author nightmares. She’s at risk of becoming internet lore for all the wrong reasons, and we’ve all seen what that does to people. I genuinely hope it doesn’t happen to her. I know by writing about it, I’m contributing to the dialogue. Hopefully, it’s a contribution that doesn’t lead to negativity. This is a lesson for all of us about working on your craft and being willing to take criticism. By all means, share what you’re passionate about, share your joy of writing, share the joy of that world, but don’t lose yourself in the sauce, and don’t put the cart before the horse. Hey look, that rhymed. Maybe I am Shakespeare.

Sources

Writing 101: Sweet Revenge

There’s just something so satisfying about a good revenge story…

We’ve all been there. Someone wronged you, and all you’re left with is the empty, soul sucking feeling of injustice, and a pain somewhere deep inside your epigastrium that just doesn’t seem to go away no matter how much whiskey you consume. It’s a feeling many of us are familiar with. Heck, I’ve seen my fair share of betrayal over my short time on this planet. I’ve gained enemies in the spaces left by people I thought were friends. Some asshole even stole my writing once. I know, right? The gallows aren’t good enough for them.

Anyway.

Somewhere in the pain, somewhere deep in the shadows of our psyche, is a burning desire for revenge. The fantasy plays itself out in our darkest moments. Maybe you get to give them a right telling off in front of everyone you know, or openly shame them on social media with tons of evidence backing up your claim, and they can’t argue with any of it so they delete their profiles, and literally run away from you at a convention when you confront them in person about it. Maybe they even lose their publishing deal over it… One can dream.

Maybe the crime is something more heinous than art thievery. Maybe they did something much worse. Maybe they really, actually hurt you, physically and mentally. Maybe they hurt someone you care about. And despite what my therapist tells me about it “saying more about them than it does about me”, and that sometimes people are assholes, and we need to let it go and not let the fact that they stole our writing then posted it back into the writers group as their own, poison us, hatred is like holding a hot coal, etc etc etc… frankly my dear, I don’t give a damn. This hot coal is one that was forced onto me, and I won’t feel satisfaction until I crush it.

And yes, getting justice can be great n’ all, but sometimes, justice just isn’t enough. It’s not enough to mourn your dead dog and move on. It’s not enough to see your wife’s murderer go to prison. It’s not enough to avenge your ruined wedding day and the taking of your unborn child. It’s not enough to tell your close circle of friends about the art thief and have them console you. No. Sometimes, you need to see the asshole who wronged you get exactly what they deserve.

What’s that? We should forgive them?

Bah. Forgiveness? Forgiveness is for God, and we’re not him.

What is best in life?

Simply forgiving and moving on doesn’t exactly make for an exciting story.

We love revenge stories (well, I do. I don’t know about you, personally). Just check out this top 10 list of revenge novels from the Guardian. And movies (arguably my favourite form of media) about revenge give us all a taste of that sweet, sweet catharsis we desperately need, without actually resorting to violence. An eye for an eye leaves the world blind, and all that. Revenge fantasies help us cope with the wrongdoing, especially when for many of us, there is no satisfying outcome, no justice.

Just ask anyone who’s suffered at the hands of a violent partner, or is the victim of sexual assault. Too often the authorities are either indifferent, incompetent, or powerless to help due to lack of evidence. What then? In the real world, we have to learn to live with it. Some of us go to therapy. Some of us meditate, or practice radical forgiveness. Some of us drink or take recreational drugs, or descend into the depths of depression. For some, revenge is living well and overcoming their encounter (arguably healthier than some of the other options).

But, when we get to see a protagonist take vengeance in media, there is something deeply satisfying about it. Like I said earlier, there is a side of us that yearns for retribution.

What makes a sweet revenge plot?

So what makes a revenge plot so satisfying? There’s some common elements that, in my humble opinion, work very well. And I’m not talking about poignant, bitter-sweet revenge stories, where ‘an eye for an eye’ is the outcome. This is catharsis, not critical thinking damnit. I’m not saying poignant, thoughtful revenge stories aren’t good by the way; they are. But, sweet-sweet revenge isn’t a gourmet meal from a Michelin star restaurant. It’s twice-fried chicken from your nan’s house after eating nothing but salad for 2 weeks.

1) The protagonist suffers enough that their revenge, in whatever measure, can be fully supported by the audience.
2) The protagonist has been clearly wronged – the victim of infidelity, robbery or worse, someone kicked their cat etc etc… And, if the protagonist is avenging someone, the victim in this scenario is an innocent (such as a child, puppy etc).
3) There’s a moment where the audience thinks the protagonist might not succeed – tension adds drama and invokes powerful emotions.
4) There’s a ‘gotcha’ moment – gotcha moments could be as simple as the nerdy girl having a full ‘glow up’ and really sticking it to her high school bullies. Or, it could be the moment the villain whips off their mask and boasts about kicking the protagonists cat/puppy/baby.
5) The villain is a shit-eating douche. Like, we HATE what they did to the protagonist (and/or their loved ones), and we can’t wait to see them get exactly what’s coming to them.
6) The protagonist goes through hell to reach their destination/goal.
7) The ending is satisfying and the justice poetic. Like, jump out of my seat and fist-bump the air level of satisfying.

Let’s have a look at some sweet, sweet revenge moments, shall we?

Disclaimer: I’m not saying these are the best moments of revenge of all time, they’re some that I particularly enjoy. Also, if it wasn’t obvious already: spoiler alert.

1) The Princess Bride: “Hi! My name is…”

The moment Inigo Montoya finally gets to slay the man who murdered his father, thus avenging him. The battle is tense, with Inigo repeating the phrase “My name is Inigo Montoya. You killed my father. Prepare to die.” Just before striking the killing blow, he utters “I want my father back you son of a bitch.” It is iconic, and every bit as satisfying as finding a £20 note in your coat pocket. But, with his revenge also comes freedom. He’s dedicated his life to avenging his father, and now he is finally free to be his own man, to pursue his own interests.

2) Kill Bill 1: Silly rabbit, tricks are for kids

There are many satisfying moments in the Kill Bill movies, with the first films entire run through dedicated to Kiddo’s intense fight with Yakuza boss O’ren Ishii’s army, the ‘Crazy 88s’ in what I can only describe as a fierce love letter to old school Japanese martial arts movies. The film ends in a visually stunning fight scene, with protagonist Beatrix Kiddo finally taking down Ishii. The scene is so tense that even though Kiddo’s the main character, there’s a part of you that thinks “hang on, she might not make it!”

3) Kill Bill Volume 2: “Bitch, you don’t have a future.”

Since it’s one of my favourite movies of all time and the entire story is literally about a woman’s revenge, there are obviously many great moments in the plot. The most satisfying for me isn’t the moment Kiddo finally kills Bill. It’s when Kiddo utters the iconic line “bitch, you don’t have a future”, before plucking out the eyeball of rival assassin, and killer of her mentor Pai Mai, Elle Driver.

4) “That f*cking nobody is John Wick.”

There’s just something so righteous about taking down the scumbag who stole your car and killed your dog, especially when said scumbag is a feckless, spoiled man-child who thinks daddy will protect him from everything. The entire nightclub scene is extremely good watching for any action movie aficionado, but there’s something so unsettling and satisfying about seeing a man gut punch his own son and tell him that the boogey-man is real, and “you will do nothing, because you can do nothing.” John Wick hasn’t even begun his revenge yet, and they’re already terrified.

5) Jackie Brown: The ol’ switcheroo

Another one of my all time favourite movies, with another case of getting sweet, sweet revenge. Jackie (portrayed by the incredible Pam Grier) is disrespected, sexualised, and mistreated by almost every man she encounters in this film. And even in the direction, she isn’t portrayed as a badass. She’s just an ordinary flight attendant who smuggles drug money. And she’s scared. She’s scared of getting older, of having nothing to show for her years of hard work. She’s tearful, hesitant, and she’s made mistakes. She’s utterly human in every scene. And she outsmarts everyone. With a slick music score and a masterclass in dramatic irony with multiple POVs showing the bag switch, the audience knows exactly what’s going on, and you’re cheering for her as she drives away, free as a bird.

6) Logan: little nightmares

Raising kids can be a nightmare, especially when they’re kids with mutant superpowers… and they’re hellbent on escaping your secret government lab. The most satisfying moment in Logan is watching the children fight back against their captors in glorious, visceral detail.

7) Leon the professional: A gift from Matilda

Another one of my all time favourites. As Leon (played by Jean Reno) lays dying after a gruelling battle to save 12 year old orphan Matilda from a full on assault from corrupt cops, he hands villainous detective Stansfield (played by Gary Oldman) something, whispering, “this is from Matilda”. By the time Stansfield has figured out that it’s a grenade pin, he’s blown to smithereens, and the audience knows that Matilda is finally safe.

8) Full Metal Alchemist: A roast to Envy

Roy Mustang, manliest of all men btw, is having the stomach rumblies that only homunculus hands can satisfy – and if you get that reference, congratulations, you’re old! And wouldn’t you know it, Envy just happens to be there, and just happens to be the homunculus who killed Maes Hughes. What can only be described as a cremation ensues. And it is satisfying.

9) Tokyo Ghoul: All this for one lousy date?

Our sweet boy 17 year old Ken Kaneki just cannot catch a break in the brutal and depressing anime that is Tokyo Ghoul. The series starts with him just discovering that he’s a ghoul after a freak accident leads to his blood becoming mixed with his date Rize. What follows is an absolute pile on from hungry ghouls and human ghoul hunters alike. Just when you think Kaneki’s suffering is over, he’s kidnapped and brutally tortured by Ghoul Jason (and these scenes actually made me feel ill). Much in the way that Ned Flanders had to endure the friendship of Homer Simpson, eventually, Kaneki snaps. Leaving the sweet innocence of his youth behind, he embraces the “kill or be killed” mantra, and goes fully feral on his torturer.

10) Blue Eye Samurai: don’t run afoul of Mizu

The entirety of Blue-eye samurai is a shout out to the great classic Ronin/samurai revenge movies – and I could have put them here just on the basis of them being the classics, but this is my list and I get to choose what’s on it. Anyway. Mizu, a blue-eyed, half-white orphaned woman, has literally cut her way through the toughest warriors Edo era Japan has to offer. And she’s about to get her revenge on 1 of the 4 men who might be her father: Irish born gun smuggler, Abijah Fowler. Fowler has a fearsome reputation himself, and hasn’t made it easy for her. Initially he stabs her, but like a true demon, she gets up, setting fire to the room. Fowler, for the first time, shows genuine fear as he turns to face her.

So what do you think makes a great revenge story? What’s your favourite revenge story of all time? Let me know!